Comicpalooza: Change in Dollar Baby Film Festival Schedule

There has been a change in the Comicpalooza Dollar Baby Film Festival. The panels with the directors will not take place as originally planned, so the question and answer sessions will have to take place following each day’s screenings. As a result, changes had to be made to make up for that and this is the new schedule for the festival’s screenings.

 

FRIDAY, MAY 24
Lawnmower Man by James Gonis
Last Rung on the Ladder by James Cole and Dan Thron
Boogeyman by Jeff Schiro
Night Surf by Peter Sullivan
Paranoid by Jay Holben
Home Delivery by Elio Quiroga

 

SATURDAY, MAY 25
Grey Matter by James Cox
All That You Love Will be Carried Away by James Renner
Maxwell Edison by Warren Ray
I Know What You Need by Shawn Lealos
Umney’s Last Case by Rodney Altman

 

SUNDAY, MAY 26
Lucky Quarter by Robert Cochrane
Flowers for Norma by Juan Reinoso
My Pretty Pony by Mikhail Tank
Willa by Mikhail Tank
Cain Rose Up by Jeven Dovey
Strawberry Spring be Doveed Linder
A Very Tight Place by Derek Simon
In the Deathroom by Damon Vinyard
Poppy by Brian Haynes

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Stephen King Dollar Baby Festival: Comicpalooza Update

Stephen King dollar baby festival

Dollar Baby Filmmakers

Comicpalooza is coming this month and the events include a Stephen King dollar baby film festival in Houston, Texas. It will be an exciting time and fans in attendance will get to see close to 20 dollar baby films and meet a number of directors as well.

The event takes place on Memorial Day weekend (May 24-26) and there will be different films shown on all three days of the festival. I will be personally hosting the festival and we will also be available in the dealer’s room to meet with and talk to fans.

Each screening will include a director’s Q&A panel after each block of films screen and directors in attendance will include myself (I Know What You Need), James Gonis (Lawnmower Man),  Peter Sullivan (Night Surf), James Cox (Grey Matter), James Renner (All That You Love Will be Carried Away) and Rodney Altman (Umney’s Last Case).

Bev Vincent, author of The Road to the Dark Tower, will also be in attendance to answer questions and meet fans. For more info about the convention, including other guests in attendance, visit Renegade Cinema.

Ain’t in Cool News was very gracious in their promotion as well, as Nordling had this to say:

One of the more interesting events for me, as a Stephen King fan and a movie fan, will be the “Dollar Baby” Film Festival.  This is a group of short film adaptations of King’s short story work – King owns all the rights to the story itself but gives permission for adaptations with the payment of one dollar.  Some of the resulting work turns out really great, and I’m looking forward to seeing many of these shorts.

I look forward to this very fun event and hope to see a lot of you there!

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Stephen King update: News on my ‘Dollar Deal’ book

need_poster2Due to life getting in the way, I had to postpone the start of actually writing the Stephen King “Dollar Deal” book. Luckily, all the telephone interviews are completed, things are going as planned, and I will finally begin writing the book at the start of January 2013. I also have a few email interviews to complete with international filmmakers, as well as two dollar baby experts, and things should finally get moving forward on the book.

Here is a list of the 17 filmmakers I interviewed who will be profiled in the book:

Juan Reinoso, Flowers for Norma
Mikhail Tank, My Pretty Pony and Willa
Rodney Altman, Umney’s Last Case
James Gonis, Lawnmower Man
Jay Holben, Paranoid
Doveed Linder, Strawberry Spring
Jeff Schiro, Boogeyman
James Cox, Grey Matter
Nick Wauters, Rainy Season
James Renner, All That You Love Will Be Carried Away
James Cole, Last Rung on the Ladder
Derek Simon, A Very Tight Place
Warren Ray, Maxwell Edison
J.P. Scott, Everything’s Eventual
Damon Vinyard, In the Deathroom
Robert Cochrane, Luckey Quarter
Peter Sullivan, Night Surf

There will also be seven email interviews with international filmmakers that I will announce later.

That is it for now. I will start actually writing the book in the next week, so keep posted here for more details, including how you can help with the production of “Dollar Deal.” I will also have more news here on the site in the next couple of days about the dollar baby festival screenings at Comicpalooza: The Texas International Comic Convention in 2013.

For any questions about the dollar baby book, or to set up an interview with me about the book, the dollar baby filmmakers, or anything else, feel free to contact me at dollardeal@shawnlealos.net.

- Shawn

 

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Stephen King Dollar Baby Book Update: 15 Interviews Completed

I just want to give a short update of where I am at on the book.

The interviews have gone a week over my deadline, but I will be finishing them up this weekend. Here is who I have interviewed so far:

These filmmakers stories are all simply amazing, with the one connection that they are all part of the impressive Stephen King dollar baby film club. I will spend the rest of October working on writing the first draft of the book and will keep you all updated as the month wears on.

If anyone has any questions, feel free to use the comment section below or email me at Rocker1018@yahoo.com.

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Lineup for Comicpalooza Dollar Baby Film Festival (Exclusive)

Home DeliveryThe final lineup has been decided for the Stephen King dollar babies screenings at the 2013 Comicpalooza Texas International Comic Con. There will be three screenings, spread over the three days of the convention, from May 24-26.

 

FRIDAY, MAY 24
Lawnmower Man by James Gonis
Last Rung on the Ladder by James Cole and Dan Thron
Boogeyman by Jeff Schiro
Flowers for Norma by Juan Reinoso
In the Deathroom by Damon Vinyard
Night Surf by Peter Sullivan
I Know What You NeedHome Delivery by Elio Quiroga


SATURDAY, MAY 25

Grey Matter by James Cox
All That You Love Will be Carried Away by James Renner
Maxwell Edison by Warren Ray
A Very Tight Place by Derek Simon
Paranoid by Jay Holben
I Know What You Need by Shawn Lealos
Umney’s Last Case by Rodney Altman


Everything's EventualSUNDAY, MAY 26

Lucky Quarter by Robert Cochrane
My Pretty Pony by Mikhail Tank
Willa by Mikhail Tank
Cain Rose Up by Jeven Dovey
Strawberry Spring be Doveed Linder
Everything’s Eventual by JP Scott

Times are to be determined.

Also appearing at Comicpalooza are numerous members of the various “Battlestar Galactica” television series, including Edward James Olmos, Dirk Benedict and more.  For comic book fans, legends Bob Layton and Chris Claremont will also be in attendance.

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Update on the Stephen King dollar baby book

Things have been really busy on the Stephen King dollar baby book, ‘Dollar Deal,’ but here is an update of how things are going so far.

I have interviewed nine filmmakers so far for the book. I have four more interviews scheduled this week and then will send out email interviews to four of the international filmmakers. After that, I have 13 more interviews to schedule throughout the month of September. That gives the book a total of 25 filmmakers profiled, as well as two interviews with Stephen King experts.

I have not ruled out trying to look into an interview with the most famous dollar baby director of them all, Frank Darabont.

So far, here is who I have interviewed for the book:

This week, I have interviews scheduled with James Renner (“Night Surf”), Derek Simon (“A Very Tight Place”), James Cole (“The Last Rung on the Ladder”) and Warren Ray (“Maxwell Edison” based on the story “The Man Who Loved Flowers”).

Back Row – L-R: Mick Garris, Dan Thron, Jeff Schiro, James Gonis, Robert Cochrane, Doveed Linder
Front – L-R: Hadrian Belove (runs “Cinefamily”), James Cole, John Woodward (orange shirt).

As I said, things have been busy, but these guys have all been amazing interviews. Some of them continue to work in the business (Jay Holben and Jeff Schiro are both editors), some are in other entertainment ventures (James Gonis works for Playboy), and one created a major television series (Nick Wauters). All in all, these dollar baby filmmakers all prove that the generosity of Stephen King can help any aspiring filmmaker reach their dream.

Mine is finishing this book and reworking my dollar baby, “I Know What You Need.” Stay posted here and I will try not to be such a stranger as this process continues.

- Shawn

 

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Stephen King’s Dollar Babies: What Are They?

I talked yesterday about the upcoming Stephen King dollar baby films that will screen at the Comicpalooza Texas International Comic Con on Memorial Day 2013. I also talked about the book I am writing about the dollar baby filmmakers, on sale at the end of the year. However, as someone who has lived in the world of the dollar babies since 1999, I realized a lot of people may not know what it is.

Here is a breakdown of the Stephen King dollar babies.

When did Stephen King start allowing Dollar Babies?

I originally believed that Frank Darabont was the first dollar baby filmmaker but recently heard that the first dollar baby film was actually Jeff Schiro’s “The Boogeyman” in 1982.

“I believe The Boogeyman was one of the first short films made from his stories,” Schiro said in an interview with stephenkingshortmovies.com. “When I decided I wanted to try and make it into a film, I wrote Doubleday Books who owned the rights and eventually heard back. For years, I thought I was the only one who had this dollar deal!”

However, he wasn’t the only one because one year later a young filmmaker named Frank Darabont created “The Woman in the Room” and became the most famous dollar baby filmmaker of all time.  Darabont officially was the first person to receive permission to make a dollar baby, but Schiro finished his movie first.

King loved Darabont’s movie so much that he gave Darabont a one dollar option to make “Shawshank Redemption,” which stands the test of time as one of cinema’s greatest movies.

What are Dollar Babies anyway?

The dollar baby films are what the title proclaims. Stephen King offers student filmmakers the chance to make a short film based off one of his short stories for $1. Stories already made into feature length films are not eligible (“Children of the Corn” is a good example) and none of his novels are eligible. The filmmakers then have the right to make the movie and show it at film festivals and on their product reels.

Where can Stephen King’s Dollar Babies be seen?

This is the tough part, but it is fair when you think about it. For $1, filmmakers can make a movie based on a Stephen King story and use it to further their career by screening it at festivals or adding it to their product reel that they use for future jobs. However, that is it. You can’t put it on the Internet (if you see one, it breaks the contract if the filmmaker put it there). You can’t hold a public screening for people to come see. You can’t put it on DVD and send it to people (except for festival consideration).

This makes the Stephen King dollar baby films almost mythic. Many people have heard about them but few have actually seen them. That is what makes the Comicpalooza Film Festival such a big deal, because there have been a small handful of times more than one or two dollar baby films have screened together in the United States.

Are the Dollar Babies any good?

Don’t let the term “student filmmakers” fool you. These are some really good movies out there under the Stephen King dollar baby deal. James Cole’s “Last Rung on the Ladder,” Jay Holben’s “Paranoid” and Rodney Altman’s “Umney’s Last Case” are three great movies and there are many more. Altman spent $60,000 to make his dollar baby, so don’t think all these are low budget affairs.

My upcoming book, “Dollar Deal,” will tell the stories of these filmmakers and what they went through to make these labors of love that they contractually couldn’t make a penny off of.

Stay tuned for more information about “Dollar Deal” as the year rolls on.

 

 

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News: Comicpalooza and a New Book About the Dollar Babies

I have a pretty big announcement to make. I’ve been teasing this for awhile now, but I have finally secured most of the information to make this official.

Comicpalooza: The Texas International Comic Con, which takes place every year in Houston, Texas, will host a film festival during the 2013 event. This festival has invited the Stephen King dollar baby filmmakers to submit their films for consideration to screen at the festival. This is a big deal. In 2013, Comicpalooza teams with Galacticon, the world’s largest “Battlestar Galactica” fan convention. Organizers expect over 25,000 people to walk through the doors of the three-day convention.

I am organizing the dollar baby screenings at Comicpalooza for 2013.

Here is a look at some of the films screening at Comicpalooza so far:

  • Night Surf by Peter Sullivan
  • Umney’s Last Case by Rodney Altman
  • I Know What You Need by Shawn Lealos
  • Maxwell Edison by Warren Ray
  • All That You Love Will be Carried Away by James Renner
  • Grey Matter by James Cox
  • Last Rung on the Ladder by Jim Cole
  • Paranoid by Jay Holben
  • Lawnmower Man by James Gonis
  • Cain Rose Up by Robert Livings
  • Strawberry Spring by Doveed Linder
  • Home Delivery by Elio Quiroga

We are expecting about three more films to round out the screenings. These will screen alongside a number of other submissions in the horror-themed film festival portion of the event. What is great is that the film screenings are free with your paid entry to the Comicpalooza convention.

The convention takes place on Memorial Day weekend 2013.

This leads into the next bit of big news from me.

As many people who know me are aware of, I have been planning to write a book about the Stephen King dollar baby filmmakers for a few years now. That book will finally get underway, as I start interviewing the filmmakers at the end of August and into September. The exciting news is that I have over 20 different dollar baby filmmakers lined up to interview.

The book should be available and on sale by the end of 2012. Early in September, I will build a new website, specifically for the book, and will keep it updated as the book progresses with director bios, photos and more. Keep an eye out here at shawnlealos.net for more news on that.

Things are getting exciting and it will only get better from here.

 

 

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Writing Tips: The Importance of a Fleshed Out Villain

 

Let’s talk villains.

I am in the process of turning an old short story I wrote way back in 1992 called “The Devil’s Playground” into a novella. To do this, I am fleshing out the characters and realized that, while my heroes are important to bring to life, they are nothing without a great villain. I think I am having more fun bringing my villain to life than I have writing in a long time.

Think about this:

  • Who was more interesting, Darth Vader or Luke Skywalker?
  • Who was more interesting, Batman or The Joker?
  • Who was more interesting, Hannibal Lector or Clarice Starling?
  • Who was more interesting, Dracula or Van Helsing?

These were all movies but three of them came from very successful books. In books, you have a lot of leeway when it comes to your characters. A person can watch “The Avengers” and enjoy Loki because Tom Hiddleston is a great actor. However, in a book you can go into depth what Loki is thinking, what he is doing and where he came from. You can really use your words to light a spark that will ignite that character to set the story ablaze.

In “The Devil’s Playground,” the original short story just focused on three kids heading out to a supposedly haunted playground in the woods to get drunk and tempt the evil spirits. Big mistake. However, in the novella, I am going into depth on the legend itself through intensive flashbacks of what really happened on the playground years ago. To do this, I have to bring the evil spirit to life, while he was a human. I get to show what he did to damn himself and that is so much fun right now.

Here is something to keep in mind when writing your villains. If a bad guy is boring or weak, your heroes will not have to work so hard to beat him. If the Crimson King was not so powerful, would the heroes from Stephen King’s “The Stand” be so interesting? If Pennywise was not such a scary, evil creation, would we care about the kid’s who had to face him in “It?” Sure, you can write wonderful characters but if your bad guy does not pop off the page, it is all for naught.

Look back at your favorite detective novels. Sherlock Holmes greatest nemesis was Moriarty because they matched up evenly with each other. I love John Sandford’s novels about Lucas Davenport but few of the books match up to “Eyes of Prey” because Dr. Michael Bekker is such a great villain. It is the same thing with James Patterson and his Alex Cross novels. Gary Soneji is a brilliant creation in “Along Came a Spider,” someone who has been almost impossible to match.

And back to an earlier example, who is better than The Joker in Batman’s world?

Here is another thing to keep in mind. In professional wrestling, the best bad guys are the people who believe they are actually doing the right thing. One WWE bad guy is Chris Jericho, and when he was feuding with Shawn Michaels, he basically called out Shawn for being a hypocrite and called out the fans for blindly following him. The thing is that everything Jericho said was true and the fans hated him for it.

Even if your villain is the ultimate evil, they need to believe in what they are doing. Even a sociopath like The Joker can explain why what he is doing is necessary. Every villain needs to be a hero in their own eyes. In “The Devil’s Playground,” there were things that happened in my villain’s past that made him hate the world. What he is doing is in response to that intense hatred. He has an end game.

Create a perfect villain and your story will improve by leaps and bounds.

 

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Tips for Conducting Unique Interviews

I am about to start interviewing dollar baby filmmakers for my upcoming book, “Dollar Deal.” With that in mind, I thought it would be a good time to go over some important topics to consider when interviewing anyone.

My first interview I ever conducted was with former Oklahoma Sooners’ star Brian Bosworth. It was a case of throwing myself right into the fire but it was the best thing that could have happened. Bosworth was a great interview and really made things easy on a first timer. However, it was a telephone interview and that meant I needed to find something to record the interview with.

At that time, you could just hook up a recorder to your phone and you were good to go. However, most people use cell phones now and fewer people own land lines. That means you need to find something good, and reliable, to record on.

1. Use Digital Recorders – I was interviewing a pair of Oklahoma Sooners’ basketball players and had my tape recorder in the middle of the table for the entire interview. When I finished the interview, I thanked them for their time, grabbed the recorder and headed out. When I took the tape out, something had happened and the tape was jammed, pretty much destroyed in the recorder. I never used a tape recorder again after that.

Also, never underestimate the importance of extra batteries. When I went to Comicpalooza this year for interviews, I was ready to start and realized by recorder’s battery was completely dead. Luckily, I had three spares in my bag

I use the Olympus WS-400 S Digital Recorder. It is a little pricey but when you do this for a living it is worth it.

2. Get something to record via cell phones – I searched a long time to find something that would help me record interviews while on a cell phone. What I found is great. I use the Olympus TP-7 Telephone pick up. Basically, it is a reverse headphone. You connect the plug into the recorders MIC jack and then put the earphone in your ear. The earphone has a built in recorder and picks up whatever you can hear coming through the phone. It was a lifesaver.

That gives you technically everything you need to record the interviews. However, one thing an interviewer wants to do is talk about things that people want to read about. What is interesting about the person you are interviewing? If it is someone famous, that should be easy but it is not.

I interviewed Tony Todd (“Candyman”) in 2011 and overheard him telling someone that he was tired of doing interviews where people asked about “Candyman.” The reason is simple. If you interview Tony Todd and your interview is all about “Candyman,” your interview is the exact same as hundreds of other interviews Todd has granted. That means your interview and story is not unique and just like every other interview online.

3. Research your subject and find new topics – Before I interviewed Michael Biehn (“Terminator”), his wife Jennifer Blanc asked me what the interview was going to be about. I told her I wanted to talk about their new production company and the exploitation movies they were starting to make. She approved and said they wanted to make sure all interviews were not about the past, but about the future.

This makes sense. You may want to interview someone because they are interesting. They want to conduct interviews because they want to promote their new projects, not really because they want to relive the past for the thousandth time. When I interviewed Todd, I asked about “Sushi Girl” and other new projects and movies coming down the line. After the interview, he thanked me for the interview and told me I had some good questions.

Before the Michael Biehn interview, I did extensive research by finding recent interviews he did with other sites about his new projects. I found questions that had not been answered (as far as I could tell) and came up with questions that I was still curious about after watching his other interviews. I wanted to make sure that my questions were new and unique. That makes your interviews stand out.

4. Take Notes Even When Using a Recorder – I have seen a lot of people just hold up a recorder and interview someone. I prefer to have my questions wrote down in a reporter’s notebook and then I take notes as they are answering questions. I don’t transcribe what they are saying but when they say something that strikes a point, I make a short notation about it. This makes it easier when asking follow up questions and also helps set up your point of reference if you are turning your interview into a narrative article. Also, use this to ask for spellings when people’s names are used (such as Shawn or Sean).

After your interview, it is time to transcribe it and write your interview or article.

5. Buy something to transcribe your interview with – If you use your recorder (or even transfer it to your computer) and then just play and pause the interview to transcribe it, you will hate this part of the job. Buy a pedal and get a transcription program and you will fly through the interviews.

I use the Infinity USB Foot Pedal for PC Transcription IN-USB-2.

6. Fact Check – If you are just doing a straight Q&A styled article, this is not always as important but it is still something a responsible journalist should do. In a narrative article, you really have to pay attention to it. If someone says they were the first person to ever use a zoom lens to shoot a movie, check to make sure they are telling the truth. This is even more important when they are talking about someone else. If you write an article and use what they tell you as fact, but it is actually a lie that could hurt someone else, you are liable. You could use quotes and attribute it to the person you interviewed but you better cover yourself because it is your name on the article.

7. Follow Up After the Interview is Live – Let your subjects know when the interview goes live. Send them a link and thank them for their time. You should do this via email but you can also let them know by linking the interview to them via Twitter or Facebook as well. Be reliable, make sure to quote them properly and then let them know you are grateful for their time. It will help you get more interviews down the line.

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